#Will come like a thief in the night movie#

Randall Balmer has stated that, 'It is only a slight exaggeration to say that A Thief in the Night affected the evangelical film industry the way that sound or color affected Hollywood.' :вЂЉ65 MIT professor of film and media Heather Hendershot says, 'Today, many teen evangelicals have not seen A Thief in the Night, but virtually every evangelical over thirty I've talked to is familiar with it, and most have seen it. It was a pioneer in the genre of Christian film, bringing rock music and elements of horror film to a genre then-dominated by family-friendly evangelicalism. :вЂЉ62 More recently, Dean Anderson writing for Christianity Today says it has been seen by an estimated 300 million. In 1989, Randall Balmer wrote that the film's producer, Russell Doughten estimated that 100 million people had seen the film. :вЂЉ411 Legacy ДЄ Thief in the Night has been translated into three languages and subtitled in others. The song also became the anthem of the Jesus movement. It was performed in the film by The Fishmarket Combo. The film's title track I Wish We'd All Been Ready was composed by singer/musician Larry Norman.

#Will come like a thief in the night movie#

The movie was filmed entirely on location in Iowa, with scenes being shot in Carlisle, the Iowa State Fair, and at Red Rock dam. :вЂЉ185 The film's producers used three rows of a binary number six ('0110') to represent the number 666, an interpretation of Revelation 13:11-18. In the film, everyone must receive the Mark of the Beast on their forehead or right hand in order to buy or sell. According to Dean Anderson of Christianity Today, 'the film brings to life the dispensational view of Matthew 24:36-44.' (See also: Views of Eschatological Timing) Evangelicals, but is generally rejected by Roman Catholics, Orthodox Christians, Lutherans, and Reformed Christians. The film presents a pre-tribulational dispensational Futurist interpretation of Christian Eschatology and the Rapture popular among U.S. The film's title is taken from 1 Thessalonians 5:2, in which Paul warns his readers that ' the day of the Lord so cometh as a thief in the night.' Patty realizes that the Rapture has actually occurred and she has been left behind. Horrified, Patty frantically searches for her husband only to find he is missing too. She is relieved, but her relief is short-lived when the radio announces that millions of people have in fact disappeared.

Patty wakes up and realizes it has all been a dream. Patty escapes, but after a chase she is cornered by UNITE on a bridge and falls from the bridge to her death. She desperately tries to avoid UNITE and the mark but is eventually captured. Patty is conflicted and refuses to trust Christ yet also refuses to take the mark. The next morning, Patty wakes to find that her husband and millions of others have suddenly disappeared. Meanwhile, her husband, who has been attending another church, has accepted Jesus. She refuses to believe the warnings of her friends and family that she will go through the Great Tribulation if she does not put her faith in Christ. However, her pastor is shown to be an unbeliever. Patty considers herself a Christian because she occasionally reads her Bible and goes to church regularly. One considers Jesus Christ her savior while the other, Diane, is earthly minded. The story begins with three friends who will have different destinies: Patty and her two friends who have different approaches to Christianity. Several flashbacks occur to times in Patty's life before the rapture. The United Nations sets up an emergency government system called the United Nations Imperium of Total Emergency (UNITE) and declares anyone who does not receive the Mark of the Beast identifying them with UNITE will be arrested. Patty finds that her husband has also disappeared. The radio announcer suggests this may be the Rapture of the Church spoken of in the Bible. In medias res, Patty Meyers wakes up to a radio broadcast announcing the disappearance of millions around the world. It was 'one of the first films to take on Fundamentalist apocalyptic narratives within a fictional motif.' :вЂЉ92 Plot It earned roughly $4.2 million during its first decade of release, the majority of which came from audience donations. The film was produced in 1972 for a budget of $68,000. :вЂЉ69 Doughten had worked with Good News Productions on The Blob in 1958, and had produced other films in Iowa through his production company Heartland Productions. :вЂЉ577-578 Thompson had been working in radio. Thompson, two Iowa-based filmmakers, formed Mark IV Pictures in 1972 to produce A Thief in the Night.